review: one snowy night

One Snowy Night by Jill Shalvis (2016)

This novella is book number 2.5 in Jill Shalvis’ Heartbreaker Bay series (preceded by Sweet Little Lies and The Trouble with Mistletoe, and followed by Accidentally on Purpose, which I reviewed here). One of the good things about this series is that each book stands alone and the books can be read in any order. I’ve said this before and will say it again, Jill Shalvis is one of those authors whose books I will always check out because I know exactly what I’m going to get. I don’t know if I would put her in my list of favorites, but she’s dependable and entertaining and hasn’t ever disappointed me.

One Snowy Night is an easy and quick read. I tried to read with my “reader” hat on but somehow my “writer” hat kept demanding to be worn. While reading, the development of the main characters—Max Stranton and Rory Andrews—preoccupied my mind as well as the basic story structure. The story is told through Max and Rory’s alternating third person point of view, and while I would say that the narrative is split fairly evenly between them, I wouldn’t say that by the end of the story I know either of them especially well. Sure, I know them in terms of their current situation—Rory has agreed to accept a ride from Max as they both travel from San Francisco to Tahoe on Christmas Eve to spend the holiday with their families. Perhaps that is attributable to the short narrative as well as the fact that the story itself takes place within a time frame of approximately twelve hours.

The desire for forgiveness is what drives Rory’s character. What haunts her is the way she left home. At seventeen, she ran away from home after her junior year in high school in order to escape a household where she didn’t fit in and a family who blamed her for things she hadn’t done. Six years later, she is finally returning home and fears that she will do something to make her family continue to believe she is flaky and undependable. Proving that she has changed is the thing that drives all of her actions and emotions. In the end, it is her interactions with Max during the drive from San Francisco to Tahoe that shows what kind of person she is, and it’s up to her family to see and accept for themselves the woman she has become.

While Rory’s character arc is clearly defined, Max’s is a bit blurry and indistinct. He is haunted by the same incident in Rory’s past but his experience of it was different and he begins the story blaming Rory for what he thinks was her part in it. During the drive, he learns the truth about what actually happens, and this does change the way he sees Rory and allows him to act on the attraction he has felt for her in the time that they have both lived in San Francisco. Max travels a flat character arc through the story. He doesn’t change in any significant way (yes, it can be argued that he admits his love for Rory and that that is a significant change, but in my mind, this is a romance and that is what is expected and without that element the whole story fails to work). Rather, he reflects Rory’s positive change arc and assists her along the way, ensuring that once she does finally make it to her family home, her opinion of who she is and understanding that she is no longer the seventeen-year-old girl who ran away from home six years is what matters most. She won’t be devastated if her family doesn’t see the change and we feel confident that she’ll continue to be who she is even if she doesn’t have her family’s acceptance.

The structure of the story is also difficult to define in absolute terms. When it comes to story structure, I’m looking for the following six key turning points in the plot: catalyst, big event, midpoint, crisis, showdown, revelation. One Snowy Night does have external conflicts and obstacles that the characters must overcome along with inner conflicts that the characters must resolve. And yet, the lines between acts one, two and three are blurry and indistinct, and in my opinion, the turning points are largely absent. This is more observation than judgmental. The story moves along fine and has good pacing; there wasn’t a moment when I wanted to put the book down and stop reading.

If you’re looking for a few hours of escape into a book and want a light romance, One Snowy Night delivers. If you want something a bit deeper and more complex, I can recommend the first book in the series, Sweet Little Lies and the third book, Accidentally on Purpose. If you’ve already read every book in this series, well, then, perhaps like me you’re waiting for Spence’s story to finally be told in Chasing Christmas Eve.

Have you read One Snowy Night? Hit the comments and tell me what you thought of it.

review: accidentally on purpose

Accidentally on Purpose by Jill Shalvis (2017)

Do you have “dependable” and “reliable” authors on your bookshelf?  You know, those authors who you can depend on for a good read, no matter what book by them you might pick up? I do, and Jill Shalvis is one of those authors for me.  She is reliable in that whichever book of hers I happen to choose to read, I know I’m going to get a good book with characters I like and a charming supporting cast of characters that deepen the story. All I wanted from my day was to sit on the couch and read a book, and Accidentally on Purpose, the third full-length novel in Shalvis’ Heartbreaker Bay series did not disappoint.

What is it about? It’s the story of a woman who is strong and independent, needs no one, and is accustomed to being in control of every aspect of her world and a man who is used to be in control of every aspect of his world and who is the protector–he protects his friends, the people who work for him and his clients.  Because of the way she grew up and a shared experience in the past that was mutually defining for both of them,, she has trouble letting people in and letting down her guard, and he is dedicated to making sure she is always safe and protected. They are two strong personalities who clash repeatedly until they learn to work as team and transform from you and me to ‘we’.

Who is in it?  Elle is the female protagonist and she is like many of Shalvis’ strong female characters who can and do take care of themselves and find it difficult to build trust and emotional intimacy.  Archer is the male protagonist and he is a successful business owner who has until now been emotionally unavailable.  Elle and Archer met when she was sixteen and he was a rookie cop.  After that, Archer kept tabs on how she was doing, and then eleven years later she takes a job managing the building in which he has his office.  She’s been a presence in his life for a year when the story begins, and though all of their friends can clearly see the attraction between them, Elle and Archer have been ignoring it, but that changes when Archer asks Elle to assist him with one of his operations.  She agrees, something she has done several times in the past, but this time, neither of them can easily walk away from the other.  When trouble arrives in the form of Elle’s sister, Morgan (could she possibly star in her own book in this series at some point in the future?), Archer’s commitment to convincing Elle to take a chance on him solidifies.

The supporting cast of characters will be familiar to you if you have read any of the other books in this series, but it is not necessary to read these books in order.  For those who have, Finn, Willa, and Spence make appearances in this book, with Spence’s presence being the strongest of all (I would love to know if his story will be the focus of the next book in the series).  In fact, I learned a lot about Spence in this book.  He is not as fully drawn, of course, as Elle and Spence, but I felt like there was a good introduction to who he is and sets readers up nicely to anticipate his story.

The story is told in third-person point of view and switches back and forth between Elle and Archer, though I would say a greater proportion of the story is told from Elle’s point of view.  I mentioned above that Archer character fits into the protector archetype.  That being said, I don’t think he’s a flat character, and neither is Elle.  Though they will both feel familiar to readers of romance, they aren’t colorless or cardboard copies of a character type.  There really are several moments during the story where I felt the emotion in a particular scene that Shalvis intended to evoke in readers.  Another thing that made this book satisfying to me?  Most readers of the genre are more than familiar with the typical plot pattern for a romance–girl meets boy, girl loses boy, girl gets boy back (or vice-versa, depending on who the main character is).  It’s the second part of that plot pattern-girl loses boy–that is quite often the most tiresome and disappointing aspect of most romances I read.  I understand why this moment always happen–it’s the crisis moment, the all-is-lost moment, that every book needs.  And yet for me it’s often the least enjoyable part because so frequently it’s just unbelievable.  But the good news is that the way that Accidentally on Purpose handles this moment wasn’t one that wanted me to throw the book (read: my e-reader) across the room and didn’t detract from my enjoyment of the book.

Final analysis? If you enjoy contemporary romance with engaging characters, give Accidentally on Purpose a try.  I have also read the first book in this series, Sweet Little Lies, and recommend it as well.  Jill Shalvis is a dependable author who will deliver a satisfying read, and if you are interested in reading more by her, I would also recommend her Lucky Harbor series.