review: wicked

Spoiler Alert: Wicked is the fifth book in Sara Shepard’s Pretty Little Liars series.  If you haven’t read the first four books and want to avoid spoilers, this is the time to look away.

Wicked by Sara Shepard (2008)

Okay, I admit it.  I was a little skeptical about how this series would keep going after revealing the identity of A in book four and identifying Ali’s murderer.  As it turns out, there’s a new A (or Faux A who Hanna renames Maybe-Not-So-Faux A, so take your pick) and maybe the person who was fingered as Ali’s murderer really isn’t guilty after all.  Just when our four main characters thought they had put A and Ali’s murder behind them and were finding some semblance of normal or what is their new normal, their worlds spin out of control once again (and yes, you can imagine how much that is getting to Spencer in particular).  I have to tell you—Wicked was not disappointing and I’m still addicted to this series, perhaps even more so now.  I actually considered picking up the next book immediately after finishing this one but convinced myself to wait a few days.

The beginning of Wicked finds Hanna, Spencer, Aria and Emily trying to let go and move on with their lives.  As I already said above, the girls just want their lives to go back to what for them passes as normal.  A few months have elapsed since the end of Unbelievable, and the old adage “time heals all wounds” has been to true to a greater or lesser extent for our main characters.  For Aria, things between her and her mother are better, and everyone in the family is adapting to Ella and Byron’s pending divorce as well as Meredith’s pregnancy.  Things are also going better for Emily.  Her family is accepting her sexuality, and she’s moving on from her breakup with Maya.  But things for Hanna aren’t going as well.  What she wants most is to be the ‘queen bee’ of Rosewood Day, but she feels like her hold on that position is tenuous in the aftermath of all that has happened, and now she is living with her father, his fiancée and Kate.  Hanna sees Kate as a rival in her pursuit of popularity. What is going well in her life is her relationship with Lucas, and yes, I’m happy he hasn’t disappeared quite yet.  Finally, there is Spencer.  Oh, things are just not going well at all for Spencer, and of the four characters, she’s the one who seems to be at rock bottom at the start of Wicked.  After admitting that she stole Melissa’s paper, she’s become a pariah in her family as well as at school, the latter of which is perhaps the most devastating because academic success and excellence is the thing that is most important to Spencer.

Because this is fiction, there has to be tension, the girls have to face conflict, and Shepard has to bring each of them to a new crisis point.  Emily, I think, is the only character that remains mostly flat in the story in terms of things getting better or worse.  Aria becomes entangled with her mother’s new boyfriend, Spencer learns that she has been disinherited, and Hanna’s pursuit of uber-popularity is foiled by her own family. Hanna, at least in my opinion, is the character who is in the worst possible position at the end of the novel. Then, of course, there is Faux A, or shall I say New A. New A appears, and though the girls dismiss New A as a copycat at first, they learn that the threat New A poses to them is real.  A return to normalcy just doesn’t appear to be in the cards for these girls.  Not yet anyway. A is ready to inflict new wounds.

One of the reasons that I like these books is that even amid the melodramatic twists and turns, at the heart of each character’s storyline is an exploration of what we want most, why we want what we want, and the relationships in our lives.  In Wicked, I find this to be particularly true with Hanna and Spencer.  What Hanna wants most is to be the most popular girl at Rosewood Day, but she never stops to ask herself why this is what she wants.  Further still, she shows time and time again that she is willing to pay any price to get what she wants, and it’s heartbreaking at times because it costs her what is most important.  That is, it’s heartbreaking because she doesn’t seem to grasp that there are things more important than popularity, or see until it’s too late that her relentless pursuit of popularity is costing her everything.  What Spencer wants most is for her parents to show they are proud of her.  Similar to Hanna, she also wants to win when it comes to school—she wants to be first in her class and win awards.  I know that my response to Spencer’s storyline is partially due to the fact that she’s the one that I identify with most.  Still, the repeated rejection Spencer receives from her family is horrible and yet it explains so much about why she does what she does and why she wants what she wants. Like Hanna, what Spencer wants in terms of school is fleeting, and also like Hanna, she can be blind to things that are more important (for Spencer in this novel, it’s her relationship with Andrew). Hanna and Spencer, throughout the series, have felt the most real to me (and, I admit, at times the most ridiculous) and I find myself more invested in their storylines. 

Should you keep reading this series? In my humble opinion, absolutely.  The books are fun, quick reads, and can be as light or complex as you want them to be. Wicked ends with quite a cliffhanger, and I’m already put “read Killer” on my to-do list.









review: unbelievable

Spoiler Alert: Unbelievable is the fourth book in Sara Shepard’s Pretty Little Liars series.  If you haven’t read the first three books and don’t want to have parts of the plot spoiled for you, look away now.

Unbelievable by Sara Shepard (2008)

A few days ago, my father asked me what I was reading, and I told him the title of my book was Unbelievable. Indeed, it’s an appropriate title, because this fourth book in Sara Shepard’s Pretty Little Liars series is exactly that—unbelievable.

At the end of the third book, Perfect, Hanna had figured out the identity of A and then was promptly hit by a van, Spencer had pushed her sister down the stairs and after a series of flashbacks to the night of Ali’s death had started to think she might be Ali’s killer, Aria was effectively homeless after Sean revealed to the police that she and Ezra were sleeping together, getting Ezra sent to jail, and Emily had been shipped off to Iowa by her parents who are unable to accept that their daughter is a lesbian.  Crazy times!

When Hanna awakes from her coma, we learn that she can’t remember anything after receiving the dress for Mona’s birthday party.  This means she doesn’t remember her dress ripping and being humiliated by Mona, or Lucas rescuing her and their first kiss, or her realization of A’s identity.  Her plotline throughout the novel is to remember.  Spencer, too, is also on a similar plotline, and at the end of the novel she remembers the rest of what happened on the night Ali died and she realizes she didn’t kill Ali.  Emily and Aria are on different journeys in this book.  Emily is still struggling to figure out where she fits in.  It’s certainly not with her cousins in Iowa, and eventually she ends up back in Rosewood where her family is more accepting.  And yet, her relationship with Maya is disintegrating just as she’s about to get what she wants in terms of her family’s acceptance.  Aria’s story, on the other hand, is put in opposition to Emily’s—while Emily is seeking acceptance, Aria seems to be the one who is unable to accept the changes occurring in her family.  She is certainly not accepting the new status quo with her father and Meredith, who announce they are going to be married after Byron’s divorce is final.

I don’t want to reveal the identity of A or the identity of Ali’s killer because I want it to be a surprise for you if you are reading this series.  What I will say is that this book as well as book three provide a lot of misdirection and red herrings.  I was actually surprised by the identity of A but I was right in my guess about Ali’s killer.  The thing that interests me in particular is the way that Shepard wraps up these two mysteries.  Because I have started watching the television adaptation of this series, I wasn’t expecting that these revelations would be made in book four of the series (currently, there are there fourteen books in this series and I think I read somewhere that there will be fifteen books total).  That being said, I’m glad that Shepard brought these two plots to a conclusion, and a satisfying conclusion at that.  She’s also done this in such a way that readers will still want to read about Hanna, Spencer, Aria and Emily.  The cliffhangers for each character at the end aren’t dramatic, and yet they are cliffhangers and give the sense that there is more in store for these young women.

Another thing I really found interesting in this novel was the prevalence of masks as a motif.  It’s one of the underlying thematic aspects that the novel turns upon. The epigraph to the novel sets us up for this: “No one can wear a mask for very long.”  Although the title of the novel is Unbelievable, it could have also been called Masquerade.  Nearly all of the characters in the novel wear either a literal or figurative mask at some point in the story (and at times, characters wear both).  Aria is taking an art class where one of the projects is for her and her partner to create a mask of each other’s face.  Aria’s partner is Jenna.  They both wear literal masks, but they both also wear figurative masks, and ultimately what lies beneath those masks is revealed.  Elsewhere, Hanna’s friends throw her a Masquerade party to celebrate her recovery.  Everyone wears a literal mask, and Hanna’s reason for choosing a masquerades-style party is that she doesn’t want anyone to see the bruises left from the hit-and-run because they show a less than flawless exterior.  She uses the mask to hide.  Even Spencer is wearing a mask, masquerading as the writer of an essay nominated for the Golden Orchid which she didn’t actually write. She, too, must decide whether she’ll continue to wear this mask or if she’ll reveal what she’s been hiding.  It’s also interesting to think about the characters in this book that don’t wear a mask at all—Lucas in particular comes to mind.  In short, this use of masks as a motif is another brilliant artistic stroke by Shepard that I really appreciated.

If you haven’t started either the show or the books, I definitely recommend starting with the books. If you started with the show but abandoned it somewhere along the way, give the books a try. If you’re just looking for a little light reading or brain candy, give these books a try.  These books are readable and entertaining and thought-provoking. I’m already making plans to get book five in this series, and maybe that’s the best compliment I can give.




review: perfect

Note: If you watch Pretty Little Liars, the television series on ABC Family, I should say that I have only watched about 2/3 of the first season and that based upon what I have seen, the series diverges from the books.  So I have no idea if I will be spoiling the TV show with my review.  Fair warning!

Perfect by Sara Shepard (2007)

Do you know what I love? When an author is unafraid to make the worst possible thing happen to her characters and send them into full-crisis mode.  That is exactly what Sara Shepard has done in Perfect, book three of her Pretty Little Liars series.  A lot of the secrets that the main characters have been keeping explode in Perfect.  If you haven’t read the first two books in the series–Pretty Little Liars and Flawless–then you should look away now.  Here be spoilers.

I think some background and context would be helpful. This series follows the stories of four main characters–Hanna, Spencer, Aria, and Emily.  They are juniors at Rosewood Day prep school in Rosewood, Pennsylvania. The four girls were best friends when they were in seventh grade, pulled together by Alison (Ali) DiLaurentis, the queen bee.  Ali disappeared the summer before their eighth grade year, and in the first novel, her body is discovered.  Part of the mystery that drives the series (at least so far) is finding out who killed Ali.  But the other thing that drives the series is that Ali knew all of the girls’ secrets and tormented them before her disappearance–Hanna struggles with bulimia, Spencer has a habit of stealing her sister’s boyfriends and is obsessed with being the perfect student, Aria has kept the secret of her father’s infidelity from her mother and lusts after her English teacher, and Emily is a lesbian but is terrified of what will happen if she acts on her feelings.  At the start of the series, the girls have drifted apart and are no longer friends, but they are all tormented by texts and e-mails from “A” who knows all of their secrets and manipulates them into doing what he or she wants in exchange for keeping their secrets.  The girls have no idea who “A” is, and that’s also part of the mystery.  Caught up?

Perfect has a wonderful epigraph: “Look and you will find it–what is unsought will go undetected” — Sophocles.  It sets the stage for the whole novel, which revolves around the puzzle of a video that Aria took of the five girls one night before Ali’s disappearance.  “A” taunts all of the girls, telling them that Ali’s killer is right there in front of them, all they have to do is look, and by the end of the novel, the girls think they know the identity of Ali’s killer and “A”.  But for a while, this is just a subplot because, well, these girls do have lives to live.  Hanna’s friendship with her best friend, Mona, is on shaky ground.  It’s Mona’s birthday, and a series of events leads to the fateful night of the party, where Hanna is brought to an emotional crisis and comforted by a new male character (Lucas) that I hope will be sticking around for a while.  Meanwhile, Spencer’s parents have decided that perhaps it would be good for her to see a therapist.  During one of the sessions, the doctor hypnotizes Spencer, and she realizes that she has blocked out parts of the night that Ali disappeared.  These memories begin to come back to her as the novel unfolds until she, too, reaches a moment of climax where she fears that she may have played some part in Ali’s disappearance.  And, remember that essay of Melissa’s Spencer stole and turned in as her own in Flawless?  Well, her economics teacher nominated the essay for a national award, bringing Spencer all kinds of unwanted attention and fresh anxiety about her plagiarism being exposed.  Like Hanna, Spencer wants to appear flawless and perfect, but she’s anything but.  While that’s happening, Emily keeps going back and forth about her relationship with Maya.  Then, just when it seems like she has accepted her attraction to Maya and wants to be with her, “A” outs Emily’s relationship to everyone at a swim meet, including Emily’s parents, who threaten to send Emily to live in Iowa if she doesn’t go through a program that is intended to “rehab” her back into heterosexuality.  Finally, things have gotten bad for Aria in this novel.  Her mother throws her out of the house and so she goes to live with her new boyfriend Sean’s family, but then Ezra decides he wants to try again, only that doesn’t really end well either. There’s a moment where Aria has nowhere to go, not even home.  Throughout and in more ways than one, Shepard plays with the plot of Hawthorne’s The Scarlet Letter, which Aria’s AP English class is reading, and it’s kind of brilliant.

I try to keep these reviews to 1000 words and I’m almost out of space, but if you’re at all interested in what you’ve read here, pick up the first book in this series and give it a read.  I feel like I’m consuming these books and I’m totally okay with that.  The next book, Unbelievable, is already on my bookshelf. What I love about this series is that the characters are well-developed and there are so many social issues in play–sexuality, family dynamics, the pressures on young adults to succeed academically and in sports, the secrets we keep and why we keep them, the meaning of friendship, eating disorders, the social dynamics of high school, and even the behavior of “A” can be read as bullying.   Plus they are just fun to read and because the point-of-view of each chapter switches so that we get the story from a different girl’s point-of-view, I’m totally pulled into the lives of all four characters and can’t wait to see what will happen next.

review: fallen

Fallen by Lauren Kate (2009)

I don’t exactly know what has made me gravitate toward young adult novels this summer, but for whatever reason, I keep finding myself in that section of the bookstore.  That’s my only excuse for picking up Fallen by Lauren Kate.  The synopsis on the back cover sounded interesting and unlike every other paranormal YA series, so I decided to give it a try.

Yes, this is another first book in a series.  Our protagonist is Lucinda “Luce” Price, a seventeen-year-old girl who has been ordered to attend Sword & Cross Reform School by the court after being involved in the death of a young boy at Dover Prep, Trevor.  Luce isn’t really clear on what exactly happened the night that Trevor died, but the police and the court think that she is somehow responsible, and for the public good decree she should be sent to a reform school.  What Luce is clear on is that she has seen “shadows” since she was five years old and she suspects that these shadows had something to do with Trevor’s death (note: in my opinion, these shadows aren’t really satisfactorily explained by the end of the novel).  Luce’s parents are shown as loving and fearing her at the same time and go along with the court’s orders.  When Luce arrives at Sword & Cross a month after the school year has begun, she learns that cell phones are not allowed and that the school has installed a significant amount of surveillance cameras (called “reds”) to watch each student’s every move.  The students dress in all black and Luce has the typical struggle of trying to fit in while keeping the real reason that she’s at Sword & Cross a secret.

Early in the story, we are introduced to the primary cast of characters.  First there is Arriane, a girl who is rough around the edges, nosy, but interested in being Luce’s friend. Then there is Penn, who becomes Luce’s closest friend at the school.  Penn’s father used to be the groundskeeper at Sword & Cross but he died two years earlier, and Penn has remained at the school since then.  In this way, she, too, doesn’t seem to fit in at the school, and perhaps that’s why the two become friends so quickly.  Penn is also Luce’s partner in crime, helping her to research the mystery plot that drives the story forward.  In addition to Arriane and Penn, there are Molly and Gabbe who are clearly there to be sources of conflict and antagonism for Luce.  The two main male characters are Cam and Daniel.  Luce is instantly drawn and attracted to Daniel, but he ignores her and is kind of cruel and mean to her, but Luce is not deterred.  She has the feeling that they have met before, and she is driven to unravel the mystery that is Daniel, all while (inexplicably) falling for him.  On the opposite end of the spectrum is Cam who is nice to Luce, pays attention to and shows concern for her, and wants to date her.  Thus, Luce is caught for much of the story in the age-old dilemma—good boy vs. bad boy.

It seems to me that one of the conventions of paranormal YA fiction is to give us a protagonist that is somehow different from what is considered “normal” and isolate her in a setting where she comes to understand why she is different.  I understand why this convention is necessary—it separates the protagonist from her family and forces her to navigate this new environment.  It’s the classic first stage of a coming-of-age bildungsroman.  I also understand Luce’s drive to unravel the mystery that surrounds Daniel—because in doing so, she’ll also start to unravel the mystery of her difference and the meaning of the shadows she has seen for most of her life.  I even understand the love triangle between Luce, Cam, and Daniel because this book is marketed as a teen paranormal romance novel.

I don’t have a problem with the use of the conventions.  The problem is that they aren’t put to use in an interesting way.  I was really bored for most of the book because it all felt so predictable and derivative.  And while there is conflict between Luce and just about every supporting character, the corresponding tension needed for me to feel like something important was at stake was missing.  I also don’t have a problem with the romance.  In fact, I love a good romance, but again, this romance was just boring and stale.  I didn’t care about whether or not Luce obtained the object of her affection because the love story felt superficial and more like a plot device than a story of two people falling in love.  I suspect this may have something to do with the way in which the author keeps Daniel distant from Luce and the reader.  I know she does this because it stretches out the mystery, but it just didn’t work for me.  Finally, I wasn’t impressed with the protagonist.  Look, I know it’s been said many times but it’s still true for me as a reader, particularly when it comes to YA fiction—give the reader a strong female protagonist.  Please, please, please, can she be interested in more than just her teenage crush on the mysterious hottie?  Can she make decisions and want things from life that don’t solely revolve around the love of her life? Can she be multi-dimensional and multi-faceted?  I think about young women reading this book and I just want them to know that being in a loving relationship is not the only thing waiting for them and it’s not the sole reason for their existence.

I didn’t like this book, but I made myself finish it and I won’t be reading any more books in this series.  My advice—skip it when you come across it in the bookstore.